Bull & Lion

The Bull & Lion sculpture to the right was done for Ginos' wife, who loves archaeology. The original is from around 2000 B.C., and was one of two huge stone carvings that flanked a double staircase that led up to the center of the palace of Persepolis, Persia; or modern day Iran.

Leda & The Swan


Leda alto-rilievo∼Gino DiAVonti © 2006

The picture to your left is a sculpted rendition of Michaelangelos' drawing entitled 'Leda & the Swan'. It was lost during WWII. Gino has decided to recreate it as sculpture. Original was a painting. The finished piece will be about 9' tall and anywhere from 14 to 16' feet in length. This will most likely be the middle panel.

Contemporary Alto rilievo-Gino DiAVonti © 2006 The picture above is a contemporary 4' x 6' Work was started in 2002', and as of February 2006', it is now completed and ready to mold and cast. The same ideal is also a painting he has done, and can be seen on his Paintings page.

The name of the Work is Obsession II. A limited edition of 15, he plans on casting it in bone strength plaster that has been tinted ecru.

The morphing of antichrist © Gino DiAVonti, 2006

The work pictured here is a sculpture that Gino has recently begun. The sculpture is in polymer clay, and now stands at 16" high and 20" across. The representation is that of the two faces, or "sides" of the antichrist. He has added ears as well as depth to the back of the head, and plans on doing the back of the work as he would see souls being tortured in hell. To see more of the working photos of this sculpture, go to the Works in Progress page.



Corian Griffin Doors

Griffins in corian and alabaster became Banquet room doors -Gino DiAVonti © 1995

The Griffin doors shown above were made after Hurricane Andrew for an Estate in Coral Gables. They are entrance doors to a Banquet Hall. Both are made of Corian, pink alabaster and Brass. The Griffins in corian and alabaster became Banquet room doors 2 -Gino DiAVonti © 1995 pictures were taken with a polaroid camera, and so detail is sadly missing. However, Gino did carve each feather in the wings, including all the minute featherings in each. There are small gold gilded strips throughout each wing to complement the doorframes.

Commissioned by Jose` LLosa, Coral Gables, Fl.

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 

Stats

Bull & Lion

Bull and Lion sculpture started in 1999.


These two horses are made of wood, carved, then covered with an exterior style resin and recarved to regain the original detail. They were both created from the same prototype Gino had created. However, one ended up needing the medallion to nestle in, which Gino created as well. The copper background of the medallion has been stippled for a more beaten effect. The gold horse is on a metal entrance fence. It was pre-drilled and anchored with large bolts from the back side of the medallion. Similar process was used to hang the bronze horse.

© Gino DiAVonti 2007' The paints used are metallics © Gino DiAVonti 2007' of bronze, gold and copper. Lastly, a clear sealer was placed over both to keep out the weather. The project took Gino about one month to complete. The medallion is approximately 3 feet by 3 and 1/2 feet. The light bronze horse that stands on his own is approximately 2 1/2 feet long. Both pictures are clickable for a bigger view.

Incidentally, they were commissioned works in early 2007'. The smaller picture to your left shows more detail of the face, and was taken before the stippling, final sanding and clear sealer was done to the copper medallion.

The darker bronzed horse on the medallion to your right was another color version Gino created.

Fantastical Goldfish Media-wood -Gino DiAVonti © 1990 The 4' x 8' Fantastical Goldfish wood panel above was carved in 1990', and although not a Commission, it was sold before it was completed. Apologies for the photo, as only surviving one it was taken with a polaroid camera. The detail of the scales Gino had carved on the fish has not made it through, and some others; so one can only imagine.

The corian panel pictured to your left is lit with front lighting. Gino discovered that when carved, it also backlights. The photo to your left shows the same work, with lighting added to the back. These types of carvings make beautiful triptychs and also work well for soffets. Gino has made sculpted corian walls,backsplashes on yachts and custom motorcoaches, as well as for estate homes and his own personal art. Click on either picture for enlargement.

Clay Lady Clay Lady
The model you see is a fine artwork, as no commission was set up for it. Unfortunately, the the lady in clay's photos were not taken with a digital camera, so the minute details he had added are not very visible. She was approximately 12" high, and was to be an Angel when finished. However, she became damaged in transport, and Gino had to destroy her. He plans on making another of her, and will add a male to the Work.

© Gino DiAVonti 2009   Click the picture for enlarged viewThis work is featured as one of Gino's tutorials fouund as an Apprentice Help project for those wishing to learn how he made the finish. All the paints used are Oil-based, mixed by Gino from metallic pulvers. Only the blue and black are basic oil-colors.

The rocks and horses in the fore-ground were created seperately from the back-board, which is M.D.F. It took him several months to complete all the pieces and only then did he begin to assemble the nearly-completed piece.

Gino made an imitation wood-grain for the shadow-box frame, and painted it an acrylic rust. The inside is mirrored to give the Work a non-exsistant vanishing point when viewed from inside. It is approximately 36 inches by 46 inches in size.

© 2006' Gino DiAVonti © Gino DiAVonti 2006

The modern acrylic sculpture to your right is a fine artwork in progress. Gino started on this piece in early July 2006', and is still working on it. He admits that the polishing of the work is taking as long as the carving itself, but since it is the effect he's after, is worth the extra time. He plans on using glass dyes of various intensities in value in the finished piece.

He also plans on doing a double layer to the original...i.e:adding another 1" sheet behind the one seen here, with another level of carving in it. This will make the finished work 2" thick by approx. 24" tall by 17" wide.

The above left photo is a work in progress. Gino hasn't yet decided what the finished medium will be used when he finishes the mold. The original shown here is polymer clay and approximately 10" tall by 9" wide by 6" thick.

Acrylic Italian Grapes

© 2005' Gino DiAVonti ∼ Click here to see enlargement © 2005' Gino DiAVonti ∼ Click on picture for enlarged view The Acrylic carving of the grapes was done in early 2005', and is a Work of Commission. Gino spent a couple of months on these two panels, each which frame a Home Salon and enclosed Florida Room. They are two of what will be a set of four. The other two will also flank a door as these do; but the Art is of a Florida everglades scene, instead of the Italian style scene shown here.

Commissioned by Dr. Wayne Mogavero, Ft. Myers, Fl.

Some of his preparation work and painting ideas for this set is the subject of his upcoming June 2009 Apprentice Help ∼ Intro to Acrylic carving page. Other photos of it at different stages can be seen there.

                    


     


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